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Sofia Ajram
Montreal based graphic design student Sofia Ajram expresses her dreams, thoughts and fascinations through photography. When I ask her about her inspirations, she explains: “A great deal of things inspire my work. History, for the most part, sums it up rather well. What has happened, within and without, universally, and what has yet to happen but will be documented by time. That being said, I have never experienced this history firsthand, so the visual aesthetic of my work is due to my lucid dreams and vivid nightmares. I feel as though I need to document them in some way that others may experience what I have seen. [….]That aside, women influence my photos. Women are sexy. Women are seductive, powerful from the core in a wild way that’s virtually inexplicable. I like to document that sexuality.”
She has been shooting ever since she was hired by Truth Explosion Magazine in 2007 as a concert photographer. Her work has been featured in publications such as EnRoute Magazine, Poetic Terrorism, Carpaccio Magazine, C-O-M-A Magazine, Vellum Online, Mossless Magazine, and Antler Magazine, but most of her work is personal work not commissioned at all.
At the moment Sofia’s finishing up her final semester in Graphic Design at Dawson College in Montreal, and going to professionally be in the field in less than a month. Lets hope she doesn’t forget about photography, because her work/art is amazing.
rest of her photos here.
in possible pro-jeck
nothing better,nothing more inspiring, than see every day some prints of Polaroid book shots. that b\w blured,old,sloppy prints of amazing Polaroids,in room wall.
i love that book, i love every single pola there. its IMPOSSIBLE, who love photography, who love analog, who love blury-fuckintexture fraekycolourexposure don't love that don't be touch by the magic of ‘polaroid’-intant-old fashion shot.
i do. an i fulled part of my room wall with that.
photo-copy some shots of polabook.cut out some of. glue every thing . and be amazed every look.
in december i finally got my camera.
knock knock
hello followers. Im interested on what your are doing!! please show me your drawings// paintings // illustrations // comics// music // video // photography //EVERYTHING
Thank you^^
i want u, i want u so bad…
Who Killed Amanda Palmer (the book) with text by Neil Gaiman and photography by Kyle Cassidy
knock knock II
hello followers. Im interested on what you are doing!! please show me your drawings// paintings // illustrations // comics// music // video // photography //EVERYTHING
Thank you^^
Diana Instant Back+
Diana meets the world of instant photography
Create the distinctive Diana effect in one moment, then watch it develop instantly in front of your very eyes, the next! The Diana Instant Back+ steals the show as the ultimate accessory through combining the world of Diana+ creative possibilities with the immediate gratification of Polaroid-style photography!
The Diana Instant back+ was developed by Lomography Japan. It’s the first, and only, time the Fujifilm Instax Mini format has been used in this innovative way! You’ll be pleased to know, Fujifilm Instax Mini is in constant production and easily available for your Diana Instant Back+ adventures on shop.lomography.com!
Diana+ Instant Back Specification
The Diana+ Instant Back is fully compatible with the Diana+ System (all lenses and accessories). The correction lens (which adjusts the focus for all Diana+ lenses) must be installed before attaching the Back and the film.
Package Includes:
- Diana+ Instant Back
- Focus correction lens
- Instruction Poster
Technical Specification:
Exposure Dimension: 46mm x 62mm
Length to focal plate extended: 12mm
Correction lens for extended focal length: included in package and required
EV variation of Correction lens: -1 EV
Batteries: 2x CR2 (6V) (batteries not included)
Film Ejection mode: one touch ejection
Power on/off switch: yes
Power light up indication: yes
Film Counter: yes (LED Light)
Tripod Mount: yes
Tripod ‘ears” – Create a firm base for steady shooting
Film type: Fujifilm Instant Mini Film (must be purchased separately)
Photos per pack: 10 (film must be purchased separately)
Note: Fujifilm Instax Mini is 800 ISO – after installing the correction lens, the exposure value will drop to 1 stop. This means that you should treat the film as 400 ISO when shooting.
Tangled (by Zack Ahern)
tush magazine 21: TWO MUCH
© by Tush / Photography & Styling Armin Morbach (Agentur Linke) / Hair Nadine Bauer(Ballsaal) / Make-up Loni Baur using Chanel (Ballsaal) / Models Anne Sophie Monrad. atModelwerk, Vicky Andren at Mega Models / Retouching Mario Seyer / Foto AssistantStefanVorbeck, Alexander Knöll / Make-up Assistant Denise Grundmann
TUSH MAGAZINE
AMAZING!!
I feel sweet appreciations for this camera though I don’t use it too much nowadays. It was a kind of pass to photography universe and first camera in my life
Basically this camera not so differ from other cameras of Lomo-Smena family. From other Smena’s it’s distinguished by renewed body (black color plastic with small square texture, yellow color of signs, and The Leningrad-St. Petersburg’s Admiralty symbol – sailing ship in round). It also has cocking shutter lever combined with film transport mechanism. Shutter release button is situated on the right side without cable release thread. I’d also add a roulette type film rewind mechanism and built in take up film spool. The lens is the famous T (Triplet)-43 4/40. Shutter speeds 1/15-1/250 and Bulb. Aperture ¼-1/16. All these things are what bring together this camera with its predecessor – Lomo Smena Symbol. The main distinction is a body design and years of production (1985-1989). As a useful feature I’d mention symbol distant metering.
My personal experience with Smena 19 started in glory Soviet days, in 1988 to be exact. I bought it for 20 rubles (Smena 8M price was 15 rubles). With this camera I learnt basic photo rules in first time: shutter speed, aperture, distance and depth of field and so on. As a pioneer, I took pictures in pioneer camps which were also very fun and touching. This camera was a very convenient tool for me because of cocking shutter lever combined with film transport. So you need to make just 2 steps: cock the shutter and press shutter release button (e.g. with Smena 8M and related Smena’s it takes 3 steps: film transport action, cocking shutter and pressing button). But this comfort facility prevents multi-exposure feature.